Madonna, 67, shocks fans with VERY tight face in new video alongside biopic star Julia Garner
Madonna left fans in shock after showing off her impossibly tight visage as she recreated one of her most iconic career moments.
Taking to Instagram on Monday, Madonna, 67, shared a clip in which she sat in a gondola alongside the star of her rumored biopic, Julia Garner, 32, in homage to her 1984 hit, Like a Virgin.
The pair playfully lip-synced as they made their way through the waterways of Venice – but some fans were stunned by the hitmaker’s ‘unrecognizable’ appearance.
Madonna and Garner coordinated in black-and-white striped tops, paired with black coats and blue jeans for the shoot.
But eagle-eyed viewers were quick to hone in on the pop star’s flawless skin and wrinkle-free face.
The clip has quickly gone viral, as many have admitted that they were left uncomfortable by how similar the two looked – despite the 35-year age difference.
‘Seeing them side by side is eerie as f***, even with all of Madonna’s Botox,’ one X (formerly Twitter) user wrote.
Another agreed, ‘Madonna is so unrecognizable compared to what she used to look like.’
Madonna left fans in shock after showing off her impossibly tight visage as she recreated one of her most iconic career moments
Taking to Instagram on Monday, Madonna, 67, shared a clip in which she sat in a gondola alongside the star of her rumored biopic, Julia Garner, 32, in homage to her 1984 hit, Like a Virgin
‘Madonna looks the same age despite being twice as old,’ someone else typed.
Someone else even compared the singer’s look to that of ‘The Substance,’ referring to the mysterious serum Demi Moore took in her Oscar-winning 2024 film.
‘She is harvesting her youth,’ another wrote.
The original music video for the global hit, directed by Mary Lambert, was partly shot in Venice, making the recreation a nostalgic nod to the singer’s early career.
The song famously topped the US Billboard Hot 100 for six weeks, while the album went on to sell more than 10 million copies in the US and over 21 million worldwide.
The Material Girl was in Italy with Garner to film season two of Seth Rogen’s Apple TV comedy series, The Studio, according to Entertainment Weekly.
Madonna’s role on the upcoming installment of The Studio marks her return to the screen after two decades.
Seth Rogen co-created and stars on The Studio as a stressed-out studio honcho, with a cast including Ike Barinholtz, Chase Sui Wonders and Kathryn Hahn.
The clip has quickly gone viral , as many have admitted that they were a bit creeped out by how similar the two looked – even labeling the star as ‘unrecognizable’
Madonna’s last major acting role was a voice part in the 2006 animated feature Arthur and the Invisibles, from French director Luc Besson
The song famously topped the US Billboard Hot 100 for six weeks, while the album went on to sell more than 10 million copies in the US and over 21 million worldwide
Her last major acting role was a voice part in the 2006 animated feature Arthur and the Invisibles, from French director Luc Besson.
She previously won a Golden Globe for starring in the 1995 movie musical Evita.
Madonna teased her part in the upcoming project last week with an Instagram Stories photo of herself leafing through a script on a gondola.
It was captioned: ‘The Italian Job.’
Madonna previously confronted criticism about her appearance in a lengthy Instagram post hitting out at ‘ageism and misogyny.’
She complained that we live in a ‘world that refuses to celebrate women past the age of 45 and feels the need to punish her if she continues to be strong willed, hard-working and adventurous.’
The star continued, declaring that she wasn’t about to start apologizing for ‘any of the creative choices I have made nor the way that I look or dress and I’m not going to start.’
At the time, the Like a Prayer singer said that while she felt she has been ‘degraded’ since her earliest days of fame, ‘I understand that this is all a test and I am happy to do the trailblazing so that all the women behind me can have an easier time in the years to come.’
